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I once painted "The Oathtaking of Cirion and Eorl", at an early point in my publishing history, but which for me was not nearly as successful as I wanted.
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Well, as someone who has had an interest in depictions from the 'Quenta Silmarillion' or Unfinished Tales from long since, usually including a couple of scenes in each new calendar, I've recognized that the approach needs to be tailored to the tone of the book, so the result is artwork that isn't substantially different from The Lord of the Rings or The Hobbit illustrations, style-wise, but the content tends to affect the imagery such that it ought to authentically reflect the more somber and tragic aesthetics, while it has also been important to interpret the frequent images of what I see as faerie, in all their beauty.ĭid any scenes present any extraordinary challenges in visualization or layout that you had to work through?.This was a set of thumbnails compiled by me in the 2000s when an illustrated UT was actually first floated.ĭo scenes from Unfinished Tales or The Silmarillion present different challenges from illustrating the more popular Tolkien works? My editor at HarperCollins compiled a list of illustration subjects which I supplied some weeks earlier, and in fact worked on intensively before submitting, in order to revise some and add new ones.What was your process for choosing what scenes to illustrate?
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But Tuor's journey, in all its full description, as well as the phenomenal details revealed in the Narn, captivate me most, with the lovely story of Galadriel and Celeborn also high on the list. Among the various tales within the book, Aldarion and Erendis has always stood out, due to being the only 'full narrative' set in Númenor. I had long since collected thumbnails and some colour roughs in the event of any opportunity to revisit it, so the announcement that I would indeed be part of its illustration came as a wonderful surprise. Simply rereading excerpts brought the beauty and depth and richness of the tales back to the fore of my imagination. It was truly inspirational to return to this book.Hi Ted, and welcome! You’ve painted scenes from Unfinished Tales before for HarperCollins - how was it revisiting this subject matter, and what were you looking forward to working on this time around? I hope you enjoy my (very lightly edited for clarity) conversations with each of these artists, who all took time out of their busy schedules to chat with me.
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Having all three included in this new edition of Unfinished Tales is a special treat and their new illustrations look amazing. Ted Nasmith, Alan Lee and John Howe have all illustrated Tolkien's works previously for HarperCollins, including variously The Hobbit, The Lord of the Rings and The Silmarillion and of course lots of calendars. This is the first time the book has been published in an illustrated edition, and HarperCollins has enlisted three of the biggest names in Tolkien art for it. Tolkien's Unfinished Tales of Númenor and Middle-earth will be officially released, to mark the 40th anniversary of its first publication by George Allen & Unwin in 1980. Tomorrow - Thursday, October 1st - the new illustrated edition of J.R.R. John Howe's picture © Lucas Vuitel - lucasvuitel.ch, used with permission.